Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or ...
Saturday’s season-launching matinée marked the 62nd performance of Alice’s Adventures in Wonderland at Covent Garden – which, for a work created as recently as 2011, is quite something. If that ...
For the past 160 years, Lewis Carroll’s Alice’s Adventures in Wonderland has been delighting readers – and theatregoers. Anna James explores why the classic children’s text continues to capture the ...
The creative team involved is no joke, yet at times the overall feeling is more too many cooks (pun) than overt, creative harmony. The Lewis Carroll narrative was never going to be easy to bring to ...
Alice’s Adventures in Wonderland, Royal Ballet: A beautifully judged, eye-boggling fantasy Christopher Wheeldon’s 2011 take on Lewis Carroll’s classic sparkles with magic, and this effervescent ...
The Royal Ballet’s Carroll adaptation is a fast-paced feast for the eyes The Royal Ballet’s latest crowd-pleaser delivers on plenty of other levels, too. Joby Talbot’s perky music sweeps you through ...
Alice, accompanied by her inseparable friends the Mad Hatter, the White Rabbit, and a mysterious young girl named Tempus, embarks on a quest to restore the Clock of Lost Time, the key to returning ...
Tove Jansson’s illustrations for a rare 1966 edition of “Alice’s Adventures in Wonderland” are melancholy, complex and occasionally scary. Credit... Supported by By Sadie Stein Sadie Stein is an ...
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